Faculty of Classics - University of Cambridge

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Orestes and Elektra

The main centre of production of classical sculpture shifted from Athens to Rome during the first century BCE, though the sculptors were usually keen to point out in their signatures that they were Athenians working overseas. The dominant of these sculptors was Pasiteles, and this work is by one of his pupils, Stephanos. The male figure in this group is identical to another sculpture in Rome signed by him.

Stephanos’s style derives influences from many earlier periods of Greek sculpture combined in one work. The shoulders are broad but the heads small; the poses are taut but the musculature soft

Material: 
Marble
Location of Original: 

Naples National Museum 110

Size: 
1.44m
Accession: 

Purchased in 1884 from Naples Museum

References: 

Lippold: Griechische Plastik, 129 (n.10)
Richter: Sculpture & Sculptors of the Greeks (1950), 182
Ruesch: Guide to the National Museum, Naples, 34, no.110
Brunn-Bruckmann: Denkmäler Griechischer und Römischer Skulptur, 306
Walston: Catalogue of Casts in the Museum of Classical Archaeology (1889), 111, no.582
Reporter: 19 June 1885, 894, no.509
Pollitt: Art in the Hellenistic Age, 175, pl. 186
Richter: Ancient Italy, 116

Date: 
C1 BCE
Sculptor: 
Stephanos, school of Pasiteles
Provenance: 

Found at Pozzuoli

Number: 
462

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