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After Classics

We are very proud of our Alumni community and what they have all gone on to achieve. Here they tell us, in their own words, about their fantastic work following their Cambridge studies and show just how enriching studying Classics has been for them.

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Julia Trocmé-Latter Julia Trocme Latter

What you have been doing since you left Cambridge?

After graduating in 2009, I took a job as an office manager at Classical Numismatic Group (CNG) in London. Although the post was supposed to involve taking care of the office's quotidian needs, the coins which came into and out of the office certainly piqued my interest as a Classicist.

My employer encouraged my interest and soon I was researching and writing short essays to bring certain special pieces to the attention of collectors, including one medal of Severus Alexander showing the former Elagabalium reconsecrated to Jupiter Ultor.

The pinnacle of this was a 12,000 word essay on the historical and religious importance of a gold medal of Charles I, which we were able to convincingly prove was a relic of the Anglican Church. After a year of this I got married and returned to Cambridge for an MPhil on numismatics, looking at how Oliver Cromwell and Napoleon Bonaparte used Roman numismatic imagery on their coins and medals. During this time, I volunteered in the Coins and Medals Department of the Fitzwilliam Museum, where I helped with the catalogue library under the late Ted Buttrey and got the chance to spend time with several great numismatists, such as Mark Blackburn, Martin Allen and Adi Popescu.

After graduating for the second time, I decided I needed a break from commuting to London, so I took jobs at Cambridge University Press and IMS Health, but after the birth of my first child I realised that my heart belonged to numismatics, so I returned to CNG. My days consist of researching and writing short essays and identifying ancient coins from the birth of coinage until the end of the Byzantine Empire, which the firm then sells at auction.

I also visit schools to promote numismatics as a field within Classics and draw attention to the role coins can play in historical study. Seeing young people interact with coins for the first time is a real pleasure - coins were designed to be engaged with and held, so being able to put them into the hands of students enables me to create a direct link between them and the ancient people they study.

What skills did you develop through studying Classics and how have these aided your professional career?

Putting aside the well-attested fact that a degree in Classics teaches you how to think and argue cogently, my degree is of great use in my job every single day: I can read Latin and Greek inscriptions, identify political and religious figures, pick up on artistic references, use a library research materials to the fullest, find ancient references when I need them, write persuasive articles on ancient subjects, tie artefacts to their cultural and historical context and so on and so on. Having to do presentations as part of my MPhil also helped me with preparing and tailoring the presentations I give to schools, and learning Latin and Greek prepared me to learn other languages such as German, which is a particularly useful language in numismatics, and French. Plus, daily university life also helped me develop into a much more organised and work-ready person, and having to explain my degree to people (no, I don't study Shakespeare, it's not that kind of classics...) also helped me improve my communication skills with "hoi polloi", which is much needed in a discipline where small and important distinctions are often seen by non-experts as nit-picking and hair-splitting (sometimes with good reason!).

What was your favourite thing about studying at Cambridge?

I was really fortunate to be at Newnham at a time when it was packed with great female Classicists, particularly Dr Laura Preston and Dr Helen Morales, who are no longer there, and of course the indomitable (Dame!) Professor Mary Beard, who also did me the honour of supervising my MPhil.

They taught all of us so much more than Classics. I also used to love sitting in the Cast Gallery on a rainy day; what a peaceful place.

Neil Worman Neil Worman

What you have been doing since you left Cambridge?

On graduating in 1965, I took the well trodden path into the Home Civil Service as what would now be called a fast streamer. This might be seen as piling one cliche on top of another, but of course the reality was rather more interesting and nuanced. After an uneasy period of adjustment both at work and in my personal life, I began to find my feet and in the end spent 38 eventful years in the public service, taking on a variety of roles, travelling quite widely overseas, and learning new skills, particularly in the area of leading and developing the people in my care. I rose to a decent height which gave me the freedom to follow my own inclinations by doing the things I felt I had most to offer in, especially developing new ideas and making contact with a wide range of people doing the same thing here and overseas. Oh, and along the way I seem to have acquired (or been acquired by) a wife, two children, some good friends, outside interests, things like that.

When I retired from the Civil Service I was just 59, and spent a few years offering my knowledge and experience to public sector bodies in the region where I live. This gave me the opportunity to learn new things (like the experience of bidding for business) and working alongside different sorts of people. I enjoyed it.

 Along the way I picked up some coaching and mentoring work, and I was encouraged to develop this by taking formal training in counselling. At the age of 62 I found myself starting a 3 year course in counselling and psychotherapy, leading to a MSc degree, which I obtained in 2010. Since then I have been working as a counsellor and psychotherapist, and have also been doing some teaching at the university where I studied. So I am quite proud of having both a MA (from Cambridge) and a MSc (from Roehampton) obtained over 50 years apart.

I have found the teaching one of the most rewarding things I have ever done, and am immensely grateful that I found my way into it.

What skills did you develop through studying Classics and how have these aided your professional career? I think that the process of confronting the ancient world in all its massive differences from our world requires an exercise of the imagination and a measure of creativity. So I would want to lay emphasis on the creative side of a classical education, and the fact that it is one way of confronting the human condition and looking into ourselves (I can still remember the effect at looking into the gold masks found at Mycaenae at the age of 18, and wondering what sort of creature might possibly be looking back at me and what that creature might be perceiving.) This of course is highly relevant in the world of work, or should be.

What was your favourite thing about studying at Cambridge?

The best thing about being at Cambridge (apart from the whole experience) was the friendships I made, and in many cases still have, but what was best about studying there was probably some of the academics I (as a shy and awkward young man) came into contact with. Among the historians I would single out John Crook and Moses Finley, neither of whom need any introduction from me, but I recall that (unlike some  lecturers) Crook had the ability to engage his audience and bring even the more boring bits of Roman history (legions marching from one part of Germany to another) to life, while Finley's presence in a small lecture room was, frankly, spellbinding. But there were two other lecturers who have left an impression on me which has lasted over the years - Patrick Wilkinson (Horace) and Guy Lee (Catullus). Both, I now see, were very sensitive readers of poetry who guided us through the text without ever losing the poetry.

John Purcell John Purcell 2John Purcell 1

What you have been doing since you left Cambridge?

I left Christ's College, Cambridge in the summer of 1971. Being unsure of what I wanted to do as a career, I spent a rather bohemian 6 months in Paris, hanging out with French folk-rock musicians, learning to speak French fluently and to play the mandolin and fiddle. These skills proved very useful in later life. I then applied to Oxford to do a PGCE and was attached to Wadham College Oxford, the sister college of Christ's. Having completed my PGCE, I got a job teaching Classics at Eastbourne Grammar School where I taught mainly Latin and a little Greek. The demise of the Grammar School system and the introduction of Comprehensive Schools to Eastbourne spelt the gradual disappearance of Classics in the State sector. As the last cohorts of the Grammar School system worked their way through the years, I found myself teaching Latin on a peripatetic basis around the newly emerging comprehensive schools and other subjects like O-level French and O-level History within the Grammar School. 

A constant extra-curricular interest was Jazz. I first became interested in Jazz during my first year at Christ's and ended up playing piano and writing arrangements for the Christ's College Jazz group. At all institutions I ever taught for, I invariably ran a weekly Jazz Club for the students. After my retirement, I was able to cherry-pick the best students to play in my own jazz band.

For two years I worked in a comprehensive teaching French and Music. Then I worked at a Sixth Form College teaching variously GCSE French, History and Sociology, CPVE, GNVQ Business Studies and GNVQ Performing Arts (the music and business units). I very much enjoyed teaching such a wide variety of subjects and I formed excellent relations with students in a wide variety of disciplines. Some of my students went on to have careers in the West End Theatres, the BBC, journalism, airlines etc.

In the last ten years of my teaching career I ran and taught A-level Classical Civilisation, doing some A-level examining and coursework moderation. As a young teacher, I had learnt to drive the minibus and so was able to take students on Classical trips to places like Fishbourne Roman Palace, jazz trips to the Royal Northern College of Music in Manchester and foreign performance trips to Rouen and Cologne.

Although my teaching career ended in 2013, the college still employs me to drive sports teams in the minibus to a variety of venues. My hobbies include playing piano in a big band, running my own jazz group Con Brio (see HERE) and, following in the footsteps of Arthur Leslie Peck (my Classics tutor at Christ's), Morris Dancing (see HERE.)

What skills did you develop through studying Classics and how have these aided your professional career?

The skills that studying Classics imparts are very wide: a sharp, nimble mind, a facility with foreign languages, an ability to understand unfamiliar situations and to react to them in a rational, often original, way and an all-embracing attitude to life. The study of Classics incorporates literature, politics, philosophy, sociology, military strategy and basic economics. The skill or perhaps attitude that I most took away with me from the study of Classics was that of "humanitas" treating people (especially students) with civility and warmth. I remember with great fondness our end-of-course barbecues in June, whether the subject was Business, Performing Arts or Classics. Sometimes I held the barbecues in my garden (with the students attempting Classical attire if the subject had been Classics) or else on Eastbourne beach.

The way my career has been helped by these skills is that I have rarely felt daunted by unfamiliar academic territory or flummoxed by dealing with students from very different backgrounds from my own. I have acted as tutor to thousands of students, helping them to get university places or into the kind of industry they wanted. 

What was your favourite thing about studying at Cambridge? My favourite thing about studying at Cambridge was the fantastic teaching I received from the likes of Dr. Arthur Leslie Peck and Dr. John Earle Raven. I also enjoyed brilliant lectures from Professors W.K.C. Guthrie and Sir Moses I. Finley.

 Roger Clarke Roger Clarke

What you have been doing since you left Cambridge? I graduated in Classics in 1960 and took up a career in the administrative civil service, a not unusual progression in those days. During my nearly four decades in officialdom I did not keep up my classics (apart from reading the New Testament in Greek from time to time). 
What skills did you develop through studying Classics and how have these aided your professional career? My experience and interest in languages prompted me to learn Russian in my own time during my early, less pressurised years. Greek and Latin were certainly helpful there, both because of the Greek origin of the Russian alphabet and because of various linguistic and grammatical similarities between Russian and both Greek and Latin. Otherwise, during my time in the civil service I was constantly grateful to my Classics education for enabling me to think clearly, to analyse the words of others and grasp their true meaning (or meaninglessness!), and to express myself accurately and succinctly. There have also, of course, been cultural benefits in the appreciation of European art and history.  
What was your favourite thing about studying at Cambridge?

When I approached retirement I revived my knowledge of Russian, having earlier developed a love of Russian literature, notably the preeminent poet and writer Alexander Pushkin (1899-1837).  During recent years I have published annotated editions and translations of most of Pushkin's major works as well as many of his shorter poems and prose stories. My publisher, aware of my Classics background, has also asked me to translate into English Latin works by Erasmus and Thomas More. Both Erasmus and More were steeped in Greco-Roman literature and culture and their writings are full of classical quotations and references. Pushkin too had studied Latin and Latin literature at high school; also, being (like many Russian aristocrats) as proficient in French as he was Russian, he was astonishingly well-read in French authors from the 16th century onward. Through Latin and French he had absorbed a wide knowledge of classical Greek mythology, history and literature.  

So in translating and annotating works by Pushkin as well as by Erasmus and More my classical education has been of immense value - not only in enabling me to understand and interpret the source language and subtexts but also in identifying literary genres and structures, poetic metres and other technicalities. So in quite unplanned ways my classical education, including such esoteric activities as unseen translation and prose and verse composition, have proved an ideal preparation for the "second career" I have pursued since my official retirement.

In addition to all that, I have over the years gained a deeper appreciation of the Greek bible, and for the last ten years and more I have been teaching a class in New Testament Greek - further spin-offs of my classics education!

Click HERE for Roger Clarke's own website.

Stuart Laing Stuart Laing

What you have been doing since you left Cambridge? After Cambridge I joined the Foreign and Commonwealth Office, was asked to learn Arabic (which I did), and pursued a career mainly in the Middle East, my last two FCO jobs being Ambassador in Oman and then Ambassador in Kuwait. Then I came back to Cambridge. The MPhil was taken later in life, actually when I was 64, part-time, in Arab history, in FAMES.
What skills did you develop through studying Classics and how have these aided your professional career? Classics taught me good analytical skills (I took the philosophy option in Part 2), and a good sensitivity for language. Later I re-developed my French to advanced level, and also learnt Czech and Malay.
What was your favourite thing about studying at Cambridge?

Supervisions one-to-one, on Plato and Aristotle, with Donald Mackinnon, Norris Hulse Professor of Divinity.

As far as I can see, the Faculty is doing well in demonstrating that Classics is not confined to language and translation, but offers a wide perspective on the history and culture of the ancient world.

Beatrice Rubens Beatrice Rubens

What you have been doing since you left Cambridge? I read Classics at Emmanuel from 1979-1982. I am now a Senior Producer in the BBC Radio Documentaries Unit, making documentary programmes for BBC Radio Three and Four about the arts and history, with a special interest in women and children. Amongst others, I have worked with Michael Morpurgo on a history of childhood, Mary Beard on a programmes about women and ageing, and James Naughtie on series about the Royal Shakespeare Company and the National Theatre.  Recent highlights include a ten-part History of Friendship, presented by Thomas Dixon. I am currently working on a two-part series for Radio Three about gender and the arts, and am presenting a Behind-the-Scenes programme for BBC Radio Four about the leading dancer and choreographer, Akram Khan. In 2015 I won the radio category of the One World Media Awards for Afghan Women: Speaking Out, Losing Lives, presented by Lyse Doucet. Other awards include a Glenfiddich Award for a programme about food and memory, presented by the poet Sean O'Brien, and a Special Commendation in the Amnesty Awards for a programme about Malala Yousifzai's blog.  
What skills did you develop through studying Classics and how have these aided your professional career? Getting into Cambridge gave me a huge boost of confidence, which I can honestly say has stayed with me during my entire working life. I acquired a great deal of knowledge about ancient language, literature and history, but also a broad understanding of the foundations of western culture, and this has been particularly helpful in a working life which involves quickly getting to grips with a wide range of new material and ideas: when I encounter unfamiliar cultural figures or events, for example, I find that my classical knowledge is often a useful reference point or way of anchoring new knowledge to old. The skills it gave me were those of analysis, an ease with language, and an ability both to see the finest details and to consider the bigger picture. 
What was your favourite thing about studying at Cambridge? Perhaps my favourite thing of all was having to read the whole of The Odyssey in the original. When I began this undertaking, I remember how slow I was to cover even a few pages, but soon there was exhilaration as I gained speed and a growing sense of the vast variety within the unity of the epic. I very much enjoyed my ancient history supervisions with Paul Cartledge, who really taught me how to user primary sources, and reading Greek Tragedy with Pat Easterling.  

James Root James Root

What you have been doing since you left Cambridge? On graduation, I had a PhD place at Oxford to continue my studies in Pastoral Poetry…but this was the road not taken after all. I spent some years in Advertising, then went to Graduate School (London Business School, MBA) and have spent most of the last 30 years at Bain & Company the global management consulting firm. I have lived in London, Boston, New York and Hong Kong twice.
What skills did you develop through studying Classics and how have these aided your professional career? The ability to read and listen critically. The ability to assess a problem, break it down into constituent parts, analyse them, and synthesise again into a solution. This applies to figuring out a hard passage of Thucydides as much as to solving growth strategy problem for a complex firm.
What was your favourite thing about studying at Cambridge? Being lectured and tutored by the greatest Classical thinkers. Pat Easterling, Miles Burnyeat, Paul Cartledge, Geoffrey Lloyd, Mary Margaret McCabe, John Henderson. Mary Beard and Simon Goldhill were graduate students during my time. When does one get the chance to be surrounded by so much brilliance?

Graham Zanker Graham Zanker

What you have been doing since you left Cambridge? Since leaving Cambridge as a doctoral student in 1974 I was a Lecturer, Associate Professor and from 2004 the Professor of Classics at the University of Canterbury, New Zealand. I retired in 2015 to an Affiliate Professorship at the University of Adelaide, where I continue actively researching and writing.
What skills did you develop through studying Classics and how have these aided your professional career? Through writing a doctoral thesis under Patrick Wilkinson and associating with my College's Classics dons and fellow students I got expertise and confidence in research which proved valuable for my career in New Zealand, where given my field I had to work in some real isolation.  Marshalling a book-length doctoral thesis under supervision and in the Cambridge system (a PhD being by thesis alone) made a wonderful bridge between being an undergraduate and a professional Classicist. Love and enjoyment of the Classics may not be called 'skills', but mine were certainly fostered by the Faculty, as in my case they continue to be.
What was your favourite thing about studying at Cambridge?

The vibrancy, energy and facilities of the Faculty were an enormous inspiration.  To be able to participate in that and so conveniently to enjoy high-quality extra-curricular activities like rowing and music was a magnificent privilege. 

Clare Owens

Clare OwensClare Owens graduation

What you have been doing since you left Cambridge? I went straight from Cambridge into teaching. I was offered a job at Cheadle Hulme School (Cheshire) in February of my final year and started teaching there in September 2010, after graduating in June. I then completed my PGCE with Buckingham University ‘on the job.’ I moved to Manchester Grammar School in 2015. Last year I was appointed as Head of Classics at Manchester Grammar School, where I teach Latin, Greek and Classical Civilisation to A-Level standard. There are currently 7 teachers in my Department and I am in the process of recruiting an eighth teacher as Classics is so popular! We are really lucky to have such a strong Classical ethos at the school. 
What skills did you develop through studying Classics and how have these aided your professional career? Obviously there is a clear link between my studies and my job! But as well as the obvious development of skills in language, literature, philosophy, history, etc., I would say that studying Classics makes you a really well-rounded person and it teaches you how to think critically. It helped me develop great attention to detail, powers of analysis and evaluation, a determination to stick at problems until I could solve them and, because of its multi-disciplinary nature, also the ability to cope with a wide variety of demands on my time (and my brain!)
What was your favourite thing about studying at Cambridge? My favourite thing about studying at Cambridge was being around like-minded people. I love my subject and I really enjoyed University study, so it was great to be around other people (students and inspirational teachers) who love those things too. 

Caroline McKenzie

Caroline Mackenziecaroline mac

What you have been doing since you left Cambridge?

Following graduation, I attended law school and went onto practise as a Private Client solicitor for over a decade, including as a partner in a central London law firm. Following this, I taught postgraduates at a London law school. However, it was then that I realised that my heart was in the Classics classroom. I taught Latin for three years and held Greek lessons at the end of the school day for a dedicated group of budding Classicists. Witnessing the commitment of children and young teenagers to learning Classical languages, even when they were not compulsory subjects, convinced me to set up my own tutoring business, which I have run since 2013. I now teach Classical Civilisation, Latin and Greek to children, teenagers, adults and retirees. The demand for Classics is burgeoning! 

Currently, I am studying for an MA in Classical Art and Archaeology, whilst continuing to teach Latin and Greek through private tuition and outreach days in schools. I write for Argo (the Journal of the Hellenic Society), The New Satyrica (King’s College London Classics Society magazine) and I create blogs for the Modern Classicisms Project and I also teach on the Homer Summer School at UCL.

When I applied for my MA, having graduated from Cambridge over twenty years earlier, I contacted my former Director of Studies, Professor Richard Hunter, who was incredibly supportive and encouraging and offered to meet me in Cambridge to discuss my postgraduate studies and to update me on life in Classics at Cambridge. I have attended lectures at various venues around the country by several members of the Faculty who had taught me as an undergraduate, and even one of my former peers, now a fellow at Cambridge; each of them took the time to talk to me and have encouraged and supported me in all my endeavours. When I returned to Cambridge for the 2016 Greek play, I stayed in my former college and attended the Greek play symposium the following day where I met up with many old Faculty friends. I feel as though I am a member of the Classics Faculty for life.

What skills did you develop through studying Classics and how have these aided your professional career?

Not only did my Classical background help me to understand detailed academic points of law but it also equipped me to provide practical advice to my clients. Furthermore, many principles of law are still described in Latin due to the precision of the Latin language. Whilst knowledge of Latin is not a prerequisite as a solicitor, it was a huge help.

The positive response which a Cambridge Classics degree always inspires is reward in itself - Classics is a great talking point. Almost everyone has an opinion on Classics and the teaching of Latin, whether they have experienced it first hand or not. Classics has certainly enjoyed a resurgence in recent years and, thanks to outreach programmes across the country, it is now accessible to many more children and adults.  

What was your favourite thing about studying at Cambridge?

Classics at Cambridge gave me a lifelong love of learning. I cannot imagine ever ceasing to be fascinated by all aspects of the ancient world and the parallels in contemporary society. Even watching the news and hearing political leaders flex their rhetorical muscles reminds me of ancient Rome! 

My days at Cambridge were some of the happiest of my life. For anyone considering applying to study Classics at Cambridge my advice would be, ‘go for it’ or, as Horace so deftly put it, ‘carpe diem’!

Keith Carpenter Keith CarpenterKeith Carpenter class

What you have been doing since you left Cambridge? After completing my BA course in Classics, I stayed on at Cambridge and studied law for a year. I then went to the College of Law and subsequently qualified as a solicitor. I worked 20 years as a lawyer specialising in international finance, first of all with major law firms and then at an investment bank. I wanted to work overseas and I initially spent 3 years in Bahrain followed by 4-5 years in Tokyo, where I met my Japanese wife. I returned to London for 10 years but then came back to Japan and have been living here since 2004. I have now been teaching for several years at the Law Faculty at Kobe University.
What skills did you develop through studying Classics and how have these aided your professional career?

Looking back now at my Cambridge studies in Classics, two things stand out.

My very first supervision in my first term was on ancient history. I had written an essay on the archaic period. My supervisor asked me to justify my opening paragraph. I gleefully replied that I was quoting from the author of the leading textbook. He asked me “Why does he say that?”. I could not answer. It was a like a religious experience. I realised from that moment onward that one must never accept “truth” from someone else; it is something one has to work out by oneself. In these days of “fake news” and the explosion of new forms of media, critical faculties are as important as ever.

A second aspect which I have only come to appreciate much later in life is how Classics gave me a deeper understanding of culture, or, more simply, how humans behave and how the world works. This must sound rather trite or even pompous but I now live in Asia where the cultural background is so different from the West. I have an unusual viewpoint into the educational system here in Japan, working at a leading university and with my children progressing through the Japanese school system. There is so much greater emphasis here on learning the purely technical with comparatively little importance attached to the arts. This has consequences. While there are many fine things in the country where I now live which I would love to exist in the UK (for example the low crime rate, the politeness of ordinary people and the high level of service everywhere), there are some serious cultural problems too (for example, the poor relationship Japan has with its neighbouring countries, the comparatively inward looking tendencies of Japanese students, the relentless stories of ordinary people dying from overwork which have given rise to the now internationally known term “karoshi”). Classics has sharpened my insight into understanding the context of where I live now and of my home country, their comparative strengths and weaknesses, and shapes the way I teach at my university.


What was your favourite thing about studying at Cambridge? I have many favourites from my studies: one of the odes of Horace in which he describes how in the race of life one only sees those in front and not those behind; the sex strike in Aristophanes’ Lysistrita; the extraordinary depth of the observations of the early philosophers including basic atomic theory; the introductory section of Thucydides (for me, the first true historian) where he says his history is a possession to last eternity (ktema es aei); the raw passion in some of Catullus’ poems; the moving sentiments and language in Homer (around about Iliad Bk VI where life is compared to the leaves that are blown away by the wind). If I had to choose one it would be my sculpture course in my final year. It was so refreshing to study something completely different and conceptually fascinating - I was deeply intrigued by the early classical sculptures where almost all the male figures were nude but 100% of the female figures were covered from neck down!

Christopher Lawrence Christopher Lawrence

What you have been doing since you left Cambridge? I read Classics at Queens', 1984-1987, and I'm now Bursar of Wolfson College here in Cambridge. In between I helped to run orchestras, specifically the BBC Symphony Orchestra and then the Academy of Ancient Music – 'ancient' in this context means only back to 1600 however!
What skills did you develop through studying Classics and how have these aided your professional career? I think the study of the Greek and Latin languages taught me how to write better English, especially how to write clearly and effectively. This is a skill I have valued throughout my career, to this day.
What was your favourite thing about studying at Cambridge? The Cambridge Classics Faculty always had a friendly, welcoming, air about it; and I am sure it still does today. I enjoyed the course, in particular the opportunity to take the Group E Philology papers in Part II, which built on my love of the Greek language in particular (and you must bear in mind that my most treasured book was 'The Decipherment of Linear B' by John Chadwick). But I also appreciated the Cast Gallery upstairs – a wonderful foil to the busy life of a student trying to pass a degree while playing the tuba in every orchestra in Cambridge!

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Second CREWS Conference: Call for Papers

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We are pleased to announce the second CREWS conference, to take place Thursday 14th – Saturday 16th of March 2019. ‘Exploring the Social and Cultural Contexts of Historic Writing Systems’ aims to look at writing systems’ place in society and culture.

The Cambridge Philological Society Prize 2019 and 2020

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The Cambridge Philological Society is pleased to announce the establishment of a prize for the best submitted article by a graduate student or early-career researcher.

Research Associate (Assistant Editor, Oxford History of the Archaic Greek World)

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Details of how to apply for this one year fixed term post are now available online, Closing date 23 July 2018.

Life After Classics: alumni profiles

Jun 20, 2018

Our Classics alumni give us an insight into their lives after studying Classics at Cambridge.

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