|
Professor Renaud Gagné |
01223 338130 |
rg404@cam.ac.uk |
Professor of Ancient Greek Literature and Religion, Fellow of Pembroke College, Director of Undergraduate Studies |
|
Dr Yannis Galanakis |
01223 338879 (College) |
ig298@cam.ac.uk |
Associate Professor in Classics (Classical Art & Archaeology), Director of Archives, Fellow and Director of Studies at Sidney Sussex College |
|
Quinton Gardiner |
|
qjg20@cam.ac.uk |
Supervisor: Dr Frisbee Sheffield, College: Corpus Christi, Title of Thesis (preliminary): Wonder in Plato and Aristotle |
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Professor Peter Garnsey |
01223 339420 |
pdag1@cam.ac.uk |
Emeritus Professor of the History of Classical Antiquity, Fellow of Jesus College |
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Professor Ingo Gildenhard |
01223 761005 |
ig297@cam.ac.uk |
Professor of Classics and the Classical Tradition, Fellow and Director of Studies at King's College |
|
Dr Elena Giusti |
|
eg382@cam.ac.uk |
|
|
Jessica Glueck |
|
jrg69@cam.ac.uk |
Supervisor: Prof. Tim Whitmarsh, College: St John's, Title of Thesis: Traditions of Tenderness: Gender, Sensibility, and the Classics in Eighteenth-Century Britain |
|
Dominique Goddard |
|
dag47@cam.ac.uk |
Supervisor: Dr Alessandro Launaro, College: St. John's, Title of Thesis: Commonwares and Consumer Identity in Roman Italy |
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Professor Simon Goldhill |
01223 331257 / 335169 |
sdg1001@cam.ac.uk |
Professor of Greek Literature and Culture, Fellow, King's College |
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Professor Emily Gowers |
335150 (Faculty); 337869 (College) |
eg235@cam.ac.uk |
Chair, Faculty Board of Classics, Professor of Latin Literature, Fellow of St John's College |
|
Aidan Gray |
|
acg81@cam.ac.uk |
Supervisor: Prof. Renaud Gagné, College: Lucy Cavendish, Title of Thesis (preliminary): τὰ ἄλλα κτήνεα: Animals in the Religious Life of Early Greece |
|
Lorcan Greene |
|
lpag2@cam.ac.uk |
Supervisor: Prof. Ingo Gildenhard, College: King's, Title of Thesis (preliminary): Ovid's Metamorphoses and the Platonic Corpus |
|
Grace Gunning |
|
gmg38@cam.ac.uk |
Supervisor: Dr Rebecca Lämmle, College: Newnham, Title of Thesis (preliminary): Choral Narrative and Audience Experience in Tragedy |
