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Faculty of Classics



Classical Art & Archaeology has a long and distinguished history at Cambridge. Our work is known for its scholarly rigour. But it’s also famous for its innovative, theoretically informed and culturally engaged approaches, in a tradition that stretches back to the ‘Cambridge ritualists’ of the late nineteenth century. What’s special about Classical Archaeology at Cambridge is not just the number of specialists concentrated in one place, remarkable as that is: it’s also the interplay of such diverse interests within a close-knit, welcoming and intellectually inclusive community.

Almost by definition, ‘Classical Art & Archaeology’ is more disparate than other Caucuses within the Cambridge Faculty of Classics. Our research expertise extends to almost every aspect of the ancient material and visual record. It also covers a large geographical, chronological and cultural historical span, from the prehistoric Aegean to late-antique Roman provinces, with an inclination towards global and comparative approaches. Specialist skillsets vary enormously, from the theory and practice of field archaeology to epigraphy, numismatics and the study of ancient imagery and iconography. What unites us – what defines our collective enterprise – is a commitment to studying Classical Art & Archaeology in all its splendid diversity: we respect the need for different areas of specialisation (within the Caucus, as within Classics, and indeed other cognate disciplines), but also strive to forge new and collaborative interconnections between them.

Studying Classical Art & Archaeology at Cambridge

Art & Archaeology is integrated within every part of the Cambridge Classical Tripos: undergraduates have the option of specialising in their final year (Part II); throughout their degree, students also have the opportunity to participate in fieldtrips, site visits and Cambridge-led excavations, often supported by generous Faculty grants. At MPhil. and PhD levels, students work closely with supervisors to develop research topics; again, generous Faculty grants are available to support research activities, fieldwork, site visits, workshops and international conferences.

University resources uniquely enrich our study programmes – not least the proximity of the Fitzwilliam Museum, with its extensive collection of antiquities. Within the Faculty, undergraduates and postgraduates benefit from our unique Museum of Classical Archaeology, with its collection of over 600 plaster casts, 4500 squeezes of ancient inscriptions and 10,000 other objects (mostly from eastern Mediterranean sites like Knossos, Mycenae, Al Mina and Naukratis). They also benefit from the Faculty’s specialist Library (to which graduate students/postdoctoral researchers are given 24-hour access): the fact that the Faculty Library integrates its Art & Archaeology holdings alongside works in other areas helps to explain Cambridge’s extraordinary record of interdisciplinary research.

Art & Archaeology within and beyond the Faculty of Classics

The D Caucus forms its own friendly community within the Faculty: weekly research seminars provide an intellectual and social focus, offering a forum for dynamic debate, discussion and dialogue. Importantly, our work also overlaps with that of other Faculty Caucuses, and many members of ‘D’ also belong to one or more other research groups (including ‘Classical interdisciplinary studies’). Over the last forty years, Cambridge Classical Art & Archaeology has pioneered new and transformative connections across Classics: with ancient Greek and Latin literature (e.g. image and text relations, narrative, ecphrasis, intermediality, histories of landscape, viewing/reading, ‘material’ turn, spatiality of texts); with philosophy (e.g. aesthetics, histories of subjectivity, ontology of objects, sensory history, sight and epistemology); with ancient history (e.g. gender and sexuality, slavery, trade, rural economies, intercultural relations); with linguistics (not least through material cultures of writing); and with classical reception (via the legacy of ancient objects, images and building, but also via histories of collecting, heritage studies and museology). In all these areas, and more, the impact of Cambridge research can be felt the world over.

Our research activities also extend beyond the Faculty. On the one hand, as the profiles below demonstrate, the D Caucus builds important intellectual bridges with other University departments, centres and institutions (e.g. with the Department of Archaeology, Department of Art History, McDonald Institute for Archaeological Research, Fitzwilliam Museum, Cambridge Heritage Research Centre, Centre for Visual Culture and Ax:son Johnson Centre for the Study of Classical Architecture). On the other hand, our collaborations reach far beyond Cambridge, including partnerships with multiple British and international museums/archaeological institutions, not least the British School at Rome and British School at Athens. Recent and current research/impact initiatives include the following major funded projects: Impact of the Ancient City, Interamna Lirenas (in turn associated with Beneath the Surface of Roman Republican Cities), Middle Bronze Age LernaMathematics for Applications in Cultural Heritage, Aldborough Roman Town and (from 2021–2024) Roman York beneath the Streets.

Who we are

Our research community is at once diverse and inclusive: Caucus members range from postdoctoral researchers and ‘Junior Research Fellows’ early in their professional academic careers to retired University teachers (many of whom maintain close links with the Faculty: e.g. Mary Beard, Henry Hurst, Martin Millett, Anthony Snodgrass and Andrew Wallace-Hadrill). The Faculty is also home to the Laurence Professorship of Classical Archaeology: past holders have included Alan Wace, Jocelyn Toynbee, Robert Cook, Anthony Snodgrass and Martin Millett. University staff welcome enquiries from prospective graduates, postdoctoral researchers and academic visitors: email is the most effective means to get in touch.

Research Fellow in Classics
Sidney Sussex College
Professor Mary  Beard
Professor of Classics
Postdoctoral Research Fellow in Classical Archaeology
Morgan Fellow, Downing College
Disney Professor of Archaeology, Director, McDonald Institute for Archaeological Research
Senior Curator (Ancient Mediterranean)
Dr Rose  Ferraby
Research Associate
Co-Director: Aldborough Roman Town Project
Dr Yannis  Galanakis
Associate Professor in Classics (Classical Art & Archaeology)
Director of Archives
Fellow and Director of Studies at Sidney Sussex College
Mr Henry  Hurst
Emeritus Reader in Classics
Fellow of Churchill College
Dr Alessandro  Launaro
Associate Professor in Classics (Classical Art & Archaeology)
Fellow and Director of Studies in Classics at Gonville & Caius College
Ms Ninetta  Leone
Affiliated Researcher
Leverhulme Early Career Fellow
Fellow and Director of Studies in Classics, Queens' College
Assistant Professor in Classics
Onassis Classics Fellow at Newnham College
Research Associate, 'Roman York beneath the streets' project
Bye-Fellow, Fitzwilliam College
Director of Studies for Archaeology, Fitzwilliam College
Professor Martin  Millett
Laurence Professor of Classical Archaeology
Fellow of Fitzwilliam College
Dr Jana  Mokrisova
Research Associate
ERC project: Migration and the Making of the Ancient Greek World
Professor Robin  Osborne
Professor of Ancient History
Fellow at King's College
Dr Sara  Owen
Affiliated Lecturer in Classics
Fellow and Director of Studies in Classics at Fitzwilliam College
Senior Lecturer in Classics (Ancient History)
Fellow and Director of Studies at Magdalene College
Director of Studies at Lucy Cavendish College
Research Fellow, Clare College
Affiliated Lecturer in Numismatics
Assistant Professor in Classics
Fellow at Clare College
Postdoctoral Research Fellow at the McDonald Institute for Archaeological Research
Professor Anthony  Snodgrass
Emeritus Laurence Professor of Classical Archaeology
Dr Nigel  Spivey
Senior Lecturer in Classics (Classical Art & Archaeology)
Fellow, Emmanuel College
Laurence Professor of Classical Archaeology
Senior Research Fellow, Trinity College
Professor in Prehistory; Fellow of Magdalene College
Curator, Museum of Classical Archaeology
Professor of Art History; Fellow of King's College
Professor of Classics
Director of the Museum of Classical Archaeology (on sabbatical, Michaelmas 2023)
Fellow in Classics at Christ's College and Director of Studies, Prelim and IA
Byvanck Chair of Classical Archaeology/Art History at the University of Leiden
Professor Andrew  Wallace-Hadrill
Director of Research
Honorary Professor of Roman Studies

Latest news

Soundmarks Project

12 February 2024

Soundmarks, an art/archaeology collaboration between Rose Ferraby, Cambridge Archaeologist, and Rob St John using sound and visual art launches at DIG in York. In 2019 the pair created work exploring and animating the sub-surface landscape of Aldborough Roman Town in North Yorkshire, UK. Soundmarks Aldborough was re-shown...

Vacancy: Assistant Professor in Latin literature

8 February 2024

The Faculty of Classics is seeking to appoint an Assistant Professor in Classics (Latin literature) from 01 September 2024. The role is open to those, at any stage in their career, with a primary research interest in Latin literature. The successful candidates will have, or be expected to develop, a record of world-class...

Publication: The New Documents in Mycenaean Greek

24 January 2024

The Faculty of Classics is proud to announce the publication of The New Documents in Mycenaean Greek , edited by John Killen FBA, the Emeritus Professor of Mycenaean Greek. More than a dozen leading Mycenologists have contributed chapters and sections to this seminal work in two volumes, comprised of more than 1100 pages...

Launch of the Faculty of Classics portal on the Cambridge Digital Library

15 January 2024

The Cambridge Digital Library has launched a dedicated Faculty of Classics portal . The first two collections feature digitized archival material from the Papers of Alan J. B. Wace, Laurence Professor of Classical Archaeology 1934-1944. Digital Thessaly features Alan Wace’s notebooks and photographs from his 1908-1910...